"An opportunity to try new things out of your comfort zone. Too good to miss."
Specialist Courses 2019
9:30-10:30 Sunday, Monday, Wednesday and Thursday
Our selection of specialist courses form the backbone of the Swanwick programme, running throughout the week. These in-depth courses provide the opportunity for you to learn more about your chosen subject and develop your skills over the four sessions.
Our selection of specialist courses form the backbone of the Swanwick programme, running throughout the week. These in-depth courses provide the opportunity for you to learn more about your chosen subject and develop your skills over the four sessions.
How to Write Your First Novel – Della Galton
This is an interactive, workshop-based course suitable for new (or more experienced novelists). Whether you are a plotter or a panster, a writer of crime or romcoms, there is something in it for you.
- Do you have a big enough storyline?
- Three ways to plot.
- How do you create irresistible characters and settings?
- How to write that all important first page.
- Writing a synopsis.
- Do you have a big enough storyline?
- Plotter or panster?
- What should be on a first page?
- How do you create irresistible characters and settings?
- Dialogue.
- Keeping track of your novel.
- Writing a synopsis.
- Writing a covering letter for your submission.
- Agent or publisher?
|
Biography
Della has been getting published since 1987. She has also seen life from the other side as a fiction editor and commissioning editor. She is also a qualified Adult Education tutor with 18 years’ experience of teaching. Phew! (no wonder she is tired!) You can find out much more on Della Galton's Website Publishing credits
|
|
Character Psychology - Steve Hartley
Fundamentally a plot involves characters having a problem, making decisions, acting on them (or not) and then suffering the consequences. It's important we understand the psychology behind this process to make our characters real and consistent.
Sessions 1 & 2
We will look at how we make decisions; the part that prejudice and perspective plays in how we view a problem; Maslow's "Hierarchy of Needs": the relative importance of rational (conscious) and emotional (sub-conscious) motivators; how our our beliefs, values and attitudes are formed, and the effect they have on our decision-making and actions.
Session 3 & 4
I'll discuss the tension between personal and group interactions: how we see ourselves compared to how others see us. I'll revisit the peer-pressure model I presented about five years ago to show the conflict between personal and group values. Finally, I'll use the Johari Window model as a structure for character development within a story, and show the importance of secrets, disclosure, and self-discovery in our hero's journey, and how other characters affect that.
Sessions 1 & 2
We will look at how we make decisions; the part that prejudice and perspective plays in how we view a problem; Maslow's "Hierarchy of Needs": the relative importance of rational (conscious) and emotional (sub-conscious) motivators; how our our beliefs, values and attitudes are formed, and the effect they have on our decision-making and actions.
Session 3 & 4
I'll discuss the tension between personal and group interactions: how we see ourselves compared to how others see us. I'll revisit the peer-pressure model I presented about five years ago to show the conflict between personal and group values. Finally, I'll use the Johari Window model as a structure for character development within a story, and show the importance of secrets, disclosure, and self-discovery in our hero's journey, and how other characters affect that.
|
Biography
Steve Hartley is many things: author, astronaut, spy, racing-car driver, trapeze-artist and vampire-hunter. His hobbies include puddle-diving and hamster-wrestling and he was voted Coolest Dude of the Year for five years running by Seriously Cool magazine. Steve is 493 years old, lives in a golden palace on top of a dormant volcano in Lancashire and never, EVER, tells fibs. Oliver Fibbs is Steve's brand-new series, but he has also written the Danny Baker Record Breaker series. You can find out more about him on his extremely silly website. |
Crime Plotting - Bettina von Cossel
You see it all in front of your inner eye: the body; the murder weapon; the suspects … but have you got the plotting skills to write the book? This workshop will introduce helpful methods for crime plotting and bringing the story forward without losing the plot. Although the examples are crime related – all set at the victim’s country house – many of these methods can be applied to other genres.
Participants will
Participants will
- Explore the difference between Thriller, Whodunit and Howtocatchem
- Make a Character Grid
- Discover the challenges of the Time Line
- Follow the Red Thread
- Use Hooks and Clues
- Explore the three dimensions of Murder Methods
- Learn a fool-proof method to keep the Action flowing
|
Biography
Bettina is a professional writer and owns a small publishing house for romance novels. When she was a teenager, three events convinced her to write crime: There was a murdered man in the flower bed in front of her hotel window, a bloody knife was hidden in the wood wool stuffing of her antique chair, and a waiter tried to shoot her. Since then, she has written six crime novels and hundreds of short stories – all published and written in German. She is now mainly writing short stories for German magazines (crime, love and a genre called ‘true story’). Find out more about her on Mezanotte Books |
|
Genius Poetry - Alison Chisholm
2019 is the 500th anniversary of the death of Leonardo da Vinci, and the four sessions of this course would be linked by threads of his life.
We will cover:
I. It was 500 years ago today … a look at five of the poetry forms in use in da Vinci's day, and how well they have stood the test of time. Consideration of the Italian envelope stanza, rondeau, pantoum, triolet and tanka, their metre, syllable count and rhyme scheme.
II. Vitruvian man – da Vinci's double image of the figure demonstrating the proportions of the human body will be paralleled by a discussion of the proportions within a poem, the balance of content and length, the shape of the line and stanza, and the physical presence on the page.
III. Mona Lisa – creating portraits in poetry, using characterisation skills to bring people to life and animate both narrative poems and dramatic monologues.
IV. New inventions – producing new poetry forms, using as a basis da Vinci's inventions The Mirror Room for a mirrored form and The Self-Supporting Bridge for a form that arcs between two ideas.
We will cover:
I. It was 500 years ago today … a look at five of the poetry forms in use in da Vinci's day, and how well they have stood the test of time. Consideration of the Italian envelope stanza, rondeau, pantoum, triolet and tanka, their metre, syllable count and rhyme scheme.
II. Vitruvian man – da Vinci's double image of the figure demonstrating the proportions of the human body will be paralleled by a discussion of the proportions within a poem, the balance of content and length, the shape of the line and stanza, and the physical presence on the page.
III. Mona Lisa – creating portraits in poetry, using characterisation skills to bring people to life and animate both narrative poems and dramatic monologues.
IV. New inventions – producing new poetry forms, using as a basis da Vinci's inventions The Mirror Room for a mirrored form and The Self-Supporting Bridge for a form that arcs between two ideas.
|
Biography
Alison Chisholm has been writing poetry for over 40 years, and has had eleven collections published, (nine by specialist poetry publishers and the most recent self-published), as well as ten textbooks on the craft of writing (three of which were produced in collaboration with other writers) including four on writing poetry, the latest of which was, again, self-published. She also wrote the poetry correspondence course of The Writers Bureau, Manchester, and has tutored on this course for twenty years. Alison is also a poetry columnist on Writing Magazine. She taught creative writing and the craft of writing poetry in adult education for 25 years and devised a number of courses for the Merseyside and North West Open College boards. She currently teaches an advanced poetry course and gives regular workshop weekend courses for Malaga Workshops. She has led poetry courses at The Writers' Holiday, (Caerleon and Fishguard), The Writers' Summer School, Swanwick, and NAWG Festival of Writing, and has given talks, readings, courses and workshops throughout Britain and in Geneva, Rotterdam and Malaga. She lives in Southport, UK. |
Screenwriting - Bridget Holding
This course gives you all the tools you need to write a feature film screenplay, and then tells you how to format it and where to send it. Screenwriting is a magnificent training for writers in all genres, particularly with regard to structuring work, dialogue, and ‘show not tell’.
Part 1:
Part 1:
- Pitching - in 25 words
- The Five essential elements
- The Three Act structure and Narrative Arc
- The draft process
- Formatting
- Point of view
- Characterisation
- Dialogue
- Sensory impressions
- Body sensations
- Emotion
- Rhythm and movement
- Detail and distance
- Submitting screenplays to agents/producers
|
Biography
When Bridget was seventeen she wrote lots of letters to film producers asking them to help her write and direct films. From there she worked in production on feature films including The Full Monty, as well as writing and directing short films for the overseas market via her company RubyRed Films. Her short film The Rat Trap, starring Emilia Fox, was one of the winners of the Sky Moviemax Short Film of the Year Award. Between all of that she enjoyed the Cannes film festival scene, the highlight of which, for her, will always be that kiss from Keanu Reeves. Articles by and about her have appeared in in Writing Magazine, The Psychotherapist, Saga Magazine and The Telegraph. She is also a UKCP registered psychotherapist. She’s a former associate lecturer for The Open University and has been a tutor of creative writing and written course content for The University of Exeter since 2008. Many of you will know she feels passionately about freeing your wild words and has talked about that at festivals throughout the UK, as well as for The London School of Economics. You can find out more about Bridget on her website. |
|
